Boundary: Bleed area may not be visible.
by Jenny Armitage
$27.00
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The Corrugated Plain Galaxy case by Jenny Armitage. Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!
Design Details
Visiting the actual battlefield makes many contemporary descriptions clearer of Custer's Last stand clearer. Western plains are deceptive. They... more
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3 - 4 business days
Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!
Visiting the actual battlefield makes many contemporary descriptions clearer of Custer's Last stand clearer. Western plains are deceptive. They often look flat from a distance, but turn out to be steep and hilly. People, houses, factories hide in what looks like an unobstructed view to the horizon in a all directions.
The Littlebighorn is like that. From the ridge you have the illusion that you can see all, but you can't. And the land leading up to the ridge is steep and hard.
But my painting is not of where Custer made his famous last stand. Instead, I painted view from where his Lieutenant Reno was pinned down. Reno retreated up these gulches after meeting the Indians in the valley below. The hills are probably much the same, but the river below snakes through a flat valley and it has moved over time. And of course that fields and ranches now occupying the land came after the battle.
Despite the graves, the markers of where Custer's men fell and...
Jenny Armitage lives, paints, and draws in Salem Oregon. She's currently riding two horses: impressionist watercolor and surreal ink. Jenny's watercolors are about light and shadow patterns. She's most interested in forest and cityscapes, where the light bounces around creating interesting light patterns. These paintings begin with a pattern of light seen in the real world. Her ink drawings are illustrative of ideas. She has a thought and seeks to translate it to paper. Unlike her watercolors, the image begins with thought, not sight. The result is less painterly and more illustrative. Her recent watercolor goddess series straddles these two ideas. The paintings begin with an idea, but the execution is painterly and perhaps...
$27.00
